"Theory and Practical are Different": Aseem Mishra on Cinema
Bollywood cinematographer Aseem Mishra visits Jamia Hamdard University to discuss the gap between cinema theory and practical filmmaking.
Acclaimed Bollywood cinematographer Aseem Mishra, the visionary behind the visuals of hits like New York, Ek Tha Tiger, and Dabangg, recently emphasized the critical need for interactive sessions between industry veterans and aspiring filmmakers. Speaking at an event hosted by Jamia Hamdard University in Delhi, Mishra highlighted that while classrooms provide a foundation, the real magic of cinema happens when theory meets practice.
Bridging the Gap: Classroom vs. Film Set
During his interaction with students, Mishra pointed out a stark contrast between academic learning and on-field execution. He noted that taking a traditional lecture is one thing, but engaging in a question-and-answer format allows students to discuss "something which is very real."
"Theory and practical are very different from each other," Mishra stated, urging more industry professionals to step out and engage with the youth. "So, I think such things should indeed happen and I will encourage these kinds of interactive communication classes."
A Personal Journey: From Dhabad to the Big Screen
The visit was an emotional homecoming for Mishra, who recalled his own days as a student at Jamia. He shared a candid memory of his origins in Dhabad, revealing that he had never even touched a camera before entering the university.
Mishra described the overwhelming sensation of handling professional equipment for the first time, admitting that he felt "petrified" in that moment. He described it as a powerful, emotional experience that remains permanently imprinted in his mind.
The Lasting Power of Fundamentals
While emphasizing the importance of practical exposure, Mishra did not dismiss the role of educators. He reflected on how the initial "feeling" and "texture" of picking up a camera for the first time stay with an artist, but it is the basic fundamentals taught by teachers that continue to shape a professional's understanding of the craft over time.
A Call to Industry Professionals
Reflecting on his own education, Mishra noted that students in the past lacked the exposure of hearing outside experts speak about the nuances of shooting and filmmaking. He believes that since today's students are the future Directors of Photography (DoPs) and cinematographers, it is the responsibility of current professionals to guide them.
"It feels really good to interact with young people," he added, describing the experience as rewarding and essential for the growth of the next generation of Indian cinema.